Showing posts with label album review. Show all posts
Showing posts with label album review. Show all posts

First Aid Kit - My Silver Lining



Here is a surprise: First Aid Kit's new album is beautiful. It's called Stay Gold. Check it out. 

They did it again. Beautiful harmonies and that crazy thing they do with their voices to reach those notes that send shivers down your spine.  I think that crazy wavering voice thing reminds me of the The Cranberries, except First Aid Kit are from Sweden, instead of Ireland.... and The Cranberries were a bit heavier rock, and these chicks are folk, ...but that voice thing.....   ;)

For being such young ladies, there is a surprising amount of wisdom in their lyrics.

Check out these beautiful tracks:
Cedar Lane  - This song has become a recent obsession of mine. It is a melancholy, nostalgic journey into times past. So good.

The Bell
Also check out there previous album, The Lion's Roar, another fantastic album.

Rose Windows - The Sun Dogs


While at the coffeeshop at which I often find myself working, I was unknowingly grooving to the background music, when I suddenly became aware of how much I was enjoying the tunes. Inquiring into the matter, the barista revealed that the band was Rose Windows, from right here in Seattle.   I added the band to my literal list of bands to check out, and it very soon has become my current top album.

They sound like elements of Jefferson Airplane mingled with occasional hints of The Doors: trippy Jim Morrison-esque lyrical imagery (try Native Dreams), and that background organ (very Doors-like).

The song This Shroud, sounds like Jefferson Airplane covering a song that Jim Morrison co-wrote with Tool. yeah... check that out. 

This band can rock some impressive electric guitar, electronic organ, and let’s not forget the flute, which all go quite well together into their impressive psychedelic rock revival. The vocals ain’t nothing to shake a stick at either.

I also happen to love the band name. I feel it is a great visual representation of their sound. Like some sorta  synesthesia induced image of the music, which sounds hazy like it is transposed through tinted glass.

Walkin’ With a Woman is a hauntingly beautiful song with a sick guitar solo. 

I love the flow of “The Sun Dogs II: Coda” and then those exquisite strings kick in about ½ way through and take it to a whole new level.

… just listen to the whole damn album.  It is impressive. It is solid.

And…Check out their excellent Live on KEXP set, below.

Blue Sky Black Death - Glaciers


While at Hilliard’s Brewery one night I was intrigued by the music that the barkeep was playing, so I inquired.  He was playing an album, Glaciers, from the Seattle-based duo Blue Sky Black Death. I have come to love this album, and it has found its way into heavy rotation lately. I highly recommend it. 

It is hard to describe, but I would say it is ambient…electronic-y… instrumental-ly, goodness. I would say they share some musical elements with Disclosure (electronic, repetitive, catchy, etc), so if you like them, then Blue Sky Black Death may interest you. One of the tracks features the interesting collaboration of Lotte Kestner, (also based in Seattle) who I saw at the TimBRRR! Music Festival

Their top Last.fm genre tags are: instrumental hip-hop, abstract hip-hop, electronic ..etc.  But whatever it is, I like it! It is good background music if you are working on something that you need to focus on, but want some musical motivation. 

[Their Wikipedia page for further info.]

Beck - Morning Phase

Beck has released a new album, Morning Phase, which is supposed to be take off where Sea Change left off.  Beck has dabbled in genres all of the map and has been recreating himself and experimenting on every album, but Sea Change is by far my favorite, so I was very excited when I heard about the follow-up concept of Morning Phase.

Sea Change was a slow-motion flow of emotional and gloomy tracks of lazily-enunciated lyrics over incredibly beautiful orchestral soundscapes, accented with little sprites of treble that chime-in, providing little explosions of auditory hope. It is the perfect soundtrack for wallowing in melancholy and a goddamn masterpiece of depressing music with themes of heartbreak, desolation, solitude, and loneliness. Try Lost Cause, my favorite track from the album.

MorningPhase does well as pairing with Sea Change, starting immediately with the orchestral intro.  The 1st track, Morning, sounds almost like rehashed replica of a track from Sea Change, with chimes, lazily strummed guitars, and strung-out mumbly lyrics. Even the cover art is similar, like a hazy aged homage reminiscent of Sea Change.
Sea Change
Overall I really like the album, and have been enjoying it. If you are hopeful (as I was) that this album can possibly live up to Sea Change, it will not let you down. As you well know, it couldn’t possibly surpass Sea Change, but it is a very nice addendum and a refreshing emulation, showing that a band can recreate a distinct (and critically acclaimed) sound 12 years later.

If you need a jumping-off-point I recommend :
Blue Moon
    or
Wave, which makes you feel as if you are a piece of flotsam floating alone in the ocean.
 But it’s all good and certainly worth a listen.


Paul McCartney - New

Macca’s new album conveniently titled “NEW” is pretty enjoyable and worth a listen.

Rolling Stone had this to say about it, when they featured it as #4 on their top 2013 albums.
“McCartney plays to his strengths: Wings-like glam rock, Little Richard howls and, yep, some remarkably Beatlesque pop tunes and George Martin-ish arrangements…”

I’d agree with all that. It’s pretty good. It does have some whimsical and silly (sometimes stupid-laughable) lyrics in typical McCartney fashion.

 In Rolling Stone’s full review of the album they said this:
“But the head turner is 'Early Days,' a wistful, mostly acoustic memoir-reverie echoing George Harrison's 'All Those Years Ago,' albeit with some genteel bitchiness, presumably about Paul's Fab Four past."
Nailed it! I couldn't have said it better myself. Typical Macca; whining about everything and taking credit for everything. Paul may be one of the greatest songwriters, from one of the greatest bands of all time, but he is also the biggest little-bitch about it.

Early Days lyrics:
"Everybody seems to have their own opinions,
Of who did this and who did that,
but as for me, I don't see how they can remember,
When they weren't where it was at.”

Anyway....

I like the album art. 

and he still puts on a damn good concert (See my post about his 2013 Seattle Concert).

Radical Face - The Family Tree: The Branches

I have previously discussed The Family Tree: The Roots, the fantastic 1st album of 3 in the Family Tree project from Radical Face, a band who I discovered at Sasquatch 2013.

The second installment of this project, The Family Tree: The Branches is another great album, continuing the theme of fictional tales of the Northcote family-history. This album is not nearly as depressing as The Roots, which is a nice reprieve. It still maintains an eerie vibe, but it is not as creepy as the 1st album, which is a shame because I liked the absurdly eerie vibe of the 1st album.

The elegant album art is a continual nice touch, giving this series a unifying classic feeling. Overall, this is turning out to be a stellar concept-trilogy. Keep up the good work Ben Cooper.

Check out Southern Snow.

    or The Gilded Hand


I love these lyrics from Reminders:
I wish I had more nice things to say,
But I was raised not to lie,
I'm either honest, or I'm an optimist,
But never both at the same time.

Washed Out - Paracosm

You know that feeling when you listen to an album, and it seems so good and familiar that you question whether it is really a new album at all, or if you have just mistaken a past classic? Like you are hearing covers of songs you’ve known for a while, that you just can’t quite put your finger on?

Well that is how I feel about Washed Out's new album Paracosm. It seems so familiar and right-on-point, but refreshing at the same time. It’s quite enjoyable. The album has a great feeling to it: almost a state of being. The lyrics (which are pretty much indecipherable), are apparently not that important.  It’s just the ongoing vibe, which is fantastic. I love the album art too.

I think this the best release that Washed Out has had since his first official release, Life of Leisure, which is a fantastic, but short, album.

Life of Leisure
Life of Leisure

You probably will recognize "Feel it All Around"  from the opening sequence from Portlandia.



Also, if you like those albums, don't overlook his 2nd album, Within and Without, which I apparently have forgotten about for about 2 years!  It's overtly sexually charged album-art, gives new meaning to the title. 

Within and Without
Within and Without

Sleigh Bells - Bitter Rivals

Picture of Sleigh Bells

Several years ago when Sleigh Bells released their 1st album Treats, it was, well… a welcome treat. It was fun, interesting, very novel, and therefore made for a well-received and highly buzzworthy release.  As time has passed and they have released 2 more albums, they have remained true to their novel sound, but unfortunately they have lost something…. And just gotten more annoying.

I would say that the novelty has simply worn off, but I still like the 1st album (maybe not as much as when it was fresh, but I still really like it), so I guess the new albums have just gotten progressively crappier. I think they have just been trying too hard to crank out albums in an effort to remain relevant and not fade into obscurity. Unfortunately that has backfired.

Reign of Terror, their sophomore release, is pretty good. Enjoyable. Some good tracks that flow well. And…Not crazy noisy and annoying…

…which is more that I can say for the newest album, Biter Rivals, which is very busy and quite annoying. I fucking HATE the opening title-track. Total trash.  One second thought (and 2nd listen) this whole album is TRASH! I even hate the album-art! (and I really like the album-art from the 1st two…). What happened here?!

In Summary

I Love:
Treats
Treats

I Like:
Reign of Terror
Reign of Terror

I Hate:
Bitter Rivals

Deltron 3030 - Event II

13 years later, Deltron churns outs their 2nd album, Event II. Another enjoyable  hip-hop album brought to us by Dan the Automator and Del the Funky Homosapien, who prophesize about the post-apocalyptic, dystopian future which we are propelling our society into at full force. It is another cohesive and interesting concept album. The album is intended to be satirical look into an elaborately thought-out future, devastated by the repercussions of current status-quo. As always, it makes for a great vocabulary lesson.

The album is full of funny and sometimes corny lyrics, but occasionally ventures into the purely silly category. This is assisted by a few comedian cameos which are immediately recognizable from their distinct voices: Andy Samberg and David Cross.

To fill out the star-studded roster, the following are featured on a few tracks,
Zack De La Rocha (lead singer of Rage Against the Machine)
Damon Albarn  (of Blur and Gorillaz)

I've been a fan of Deltron since my sophmore year in college, when a friend of mine recommended Deltron’s original Album, Deltron 3030. It has been my almost exclusive venture into hip-hop and Deltron has always done a fair job of making it an enjoyable one.


Give this album a few listens, and you'll probably find yourself in nostalgia mode, cranking out Deltron's original epic classics.

Cults

Whether you want to tag this New York boy-girl duo as dream pop, twee, noise pop, or psychedelic pop, it is easier to just lump them into indie pop and say they have a nostalgic or “throwback” quality to them. Regardless of tags, their cutesy sound is unique and pleasing to the ears.

The Show

The Visuals

So while I was excited for this show, I didn’t anticipate how absurdly visually-rewarding the show was going to be. I will pat myself on the back for immediately realizing that the 4 screens behind the stage would be used to display static, to go along with the theme of the album.



But I did not foresee the use of a projector to paint the entire room with beautiful psychedelic colors and patterns synched to the music. The effect was to flood the entire room with incredible visuals to coincide with songs; slowly cascading colorful sprites for the slow bits and spastic noisy geometric static when the song picked up. To add to the effect, the projections had to permeate the fog, which gave it an added trippy dimension. I picture that this type of affordable, accessible, and incredibly impressive visualization is the kind of thing that early psychedelic bands, maybe Jefferson Airplane only dreamed of.  It was quite cool. By far the best visuals I have seen in a while.



The effect was even amplified by the lucky coincidence that the stage’s backdrop is red (as opposed to black), which rendered the projections in red, highlighted elements in the foreground, and gave the projected visuals even more perceived depth.



Here are some vids I shot that showcase this awesome effect far better than the pics (but be sure to crank the quality all the way up to 1080P!)




The Set

The Setlist for the show shows a 50/50 split of the 2 albums, which was a nice balance of old favorites and promotion of the new album. Besides what I thought was generally too loud of everything, except her vocals which were just a little drowned-out, I thought they translated very well live, sounding just like the albums. However, I did feel that the songs don’t lend themselves to much crowd participation. Even the most exciting parts of their hits just leave you kind of bobbing your head and swaying like the back-up singers of a Doo-Wop group. This is more to do with the nature of their music than their performance. Their performance was great, however there was a noticeable lack of the band head-banging and hair-thrashing, as their album-art leads you to expect.

So while they were spot on, and it was an overall good show, I didn’t find the show to be that fulfilling except for the stunning visuals. I do recommend catching their show on this tour if you can. If for no other reason, just to see the visuals, which were worth the ticket price alone.



The Albums

Cults - Cults
Cults Album Cover

Their self-titled debut is a very novel and refreshing album that I was fairly obsessed with for a while. It has a consistent psychologically dark underlying theme to the lyrics with samples of famous cult leaders Charles Manson, Jim Jones, and Patty Hearst embedded into the songs, all hidden underneath the sugary-sweet vocals and happy-go-lucky percussion that gives the album its unique feeling.

Although most of the snippets of the cult leaders preaching and brainwashed ramblings of cult members are distorted beyond comprehension with reverb and other effects, I feel their inclusion augments the overall creepy feel of the album and add a cohesion that pulls it together into what can almost be mistaken for a concept album, (although it isn't). I’ll just say they really know how to make the most out of a motif, considering most of the album focuses on milder themes such as relationships, coping with life, and skeletons in the closet, rather than mass suicide and grape Kool-Aid.

Check out this cool music video for Go Outside, in which the band members are almost-flawlessly superimposed into footage from Jonestown. It really encompasses the vibe of the album.




Selected Songs and Quotes


Abducted –  Sets the tone of the album, starting off with...
I knew right then that I'd been abducted,
I knew right then that he would be taking my heart.
... giving me the impression she has found herself under the spell of stockholm syndrome and has fallen for her captors.

You Know What I Mean – a beautiful slow saunter through feelings of dysphoria, fear, and loneliness.

Bad things happen to the people you love,
And you'll find yourself praying up to heaven above,
But honestly I never had much sympathy,
Cause those bad things, I always saw them coming for me.

Cults - Static
Static Album Cover

Having given new album, Static, a fair amount of listens, I would say while it stays true to their distinctive sound, it is lacking in something that I have yet to put my finger on. Seeing the songs live with the fantastic visuals synced to the audio, gave me a little more appreciation for the album, but I’m still not as fond of it as their debut. It’s a good album: I wouldn’t say great. Maybe I just really liked the eerie, dark, mysteriousness of the 1st album.

However, I do love how they chose an animated GIF image to represent the album in the digital realm. It has caught my eye on various websites.  It’s a bit oxymoronic and a lot of genius that they chose a dynamic image to represent an album dubbed "Static". Brilliant marketing on their part, but they aren’t the first to do it (REM did it 1st, relatively recently).

Radical Face - The Family Tree: The Roots

In my post about Sasquatch 2013, I mentioned that I was quite taken aback by this band known as Radical Face that I stumbled upon, (and almost purposefully skipped due to (mis)judging the band by its name and bio-picture).

I have since followed up and listened to this band A LOT. The Family Tree: The Roots has become my top album of the last 3 months (at 250 plays!).


The Roots is a storytelling masterpiece. It is a haunting account of the hardship of (someone's) ancestors, (who I picture homesteading in frontier-culture Appalachia). From wikipedia: [This album is about] "the first two generations of the Northcotes' family tree and is narratively based in the 1800s". Although the tales are fictional, they manage to paint such a vivid picture that you feel as if narrator has personally lived through all of these events.

As far as concept albums go, it is pretty consistent throughout, even though the song topics range from purely depressing to just plain creepy. Musically, it is good as well, with songs the build from eerie intros to beautiful piano portions.

It is the first installment of an ongoing concept-trilogy which I have become very excited to see through. After The Family Tree: The Roots, will be The Branches (Oct. 2013), followed by The Relatives. Also throughout the project, they will release volumes of EPs under the heading The Bastards. Radical Face provides better descriptions of the project and the albums here. I think there is amazing potential in this concept and if he can maintain the same quality/consistency, I will be very impressed with this project.

If you are looking for an uplifting album, you are in the wrong place. This is one of those beautifully-hauntingly-depressing (and sometimes creepy) albums, which I cannot take out of heavy-rotation because I am entranced by the stories. Here are some of themes woven into the narrative (as interpreted by me, at an estimated 15 full-listen-throughs of the album):
  • His mother dying during his birth.
  • Being abused by his alcoholic distant father.
  • Watching his twin brother die of some illness.
  • The hanging suicide of his father.
  • Being haunted by the ghosts of his grandparents.
...among other happy occurrences.

Read the full album lyrics of The Family Tree: The Roots here.

The Roots is up there with The Antlers - Hospice as one of the most depressing modern albums (which is another amazing concept album, albeit a fucking dark and depressing one).

Enjoy, but seriously beware, because these are some real downers.



De-Loused in the Comatorium Turns 10!

De-Loused in the Comatorium

!!   Exoskeletal junction at the railroad delayed  !!


Someone on Reddit mentioned that The Mars Volta's  debut studio album turns 10 this year!  (wow, I dunno where those 10 years went.)

In tribute to a solid album that I absolutely loved for a era of time throughout college (and still love), I thought it was worth mentioning. If you haven't heard it, 10 years late, isn't too late!  

It is epic. Give it a listen. And I STRONGLY recommend good headphones (which are not earbuds!), as The Mars Volta took full advantage of stereo-sound to give the album a full spatial feel. It's a rocking rollercoaster ride of an album: Spastic and the essence of pure delirium. It's interesting novelty still stands today.

The Wikipedia Article  says it is a concept album, "based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artist Jeremy Michael Ward, the album is an hour-long tale of Cerpin Taxt, a man who enters a week-long coma after overdosing on a mixture of morphine and rat poison." The story of Cerpin Taxt alludes to the death of a friend to the lead singer, artist Julio Venegas (1972-1996).   Honestly, I can't really understand most of the shit he says in the album anyway, I just know that is sounds fucking awesome.

The storybook that the album is based on is available on the Pirate Bay. Search for "The Mars Volta - Deloused in the Comatorium - Lyric/Story Book".

Some very devoted fan wrote an entire book on his interpretation of the album based on the storybook, with a line-by-line explanation of the lyrics of the album. A free sample chapter of "Cicatriz ESP" is available for free. Here is the website, where you can buy the full interpretation work for $9.99. Quite interesting. I dunno if I drop 10 bucks, but the free sample is very nicely done.

Apparently,  Pitchfork  gave De-Loused in the Comatorium a score of 4.9 out of ten and said it "just isn't fun."  haha. that is absurdly wrong. I find this album to be very "fun".

Side-note: At their Bonnaroo 2009 show, a guy standing right beside us proposed to his girlfriend. She said yes. 

Listen to the album on Spotify.

or... Someone posted the entire album on YouTube !


Here is an incredible performance of  Roulette Dares (The Haunt Of)   for your enjoyment.

Random Access Memories has been....(wait for it!) ..... randomly accessed.


Given the hype, and the hype over the hype, I was both excited and terrified for this release. It could have turned out to be a total piece of crap, but luckily ended up being an alright Daft Punk album. They were promoting the album and drumming up hype in a genius fashion by dropping mysterious TV ads and posters in strategic places.
Some very nondescript posters in an area of Seattle that I frequent. 
The genius in this Ad-campaign is that I needed nothing more to fully understand what was being communicated here. 
I was chompin’ at the bit, and regularly checking the web for some leak info. I knew something was up when a quick check of HasItLeaked.com showed the site was down! I think they then released streaming versions of the album a few days ahead of the scheduled release date, in an effort to combat the leak, as they do these days.

As of several listens it sounds kinda, eh. Nothing extraordinarily epic about it, but an alright Daft Punk album nonetheless. It’s got a bunch of filler, and a few terrible songs in standard Daft Punk form, but overall I like it.

My Initial Track-by-Track notes: 
  1. Give Life Back to Music    Pretty good kick-off. Catchy. I like it.
  2. The Game of Love  An alright slow-jam.
  3. Giorgio by Moroder - Giorgio banter which is vaguely interesting, followed by a very catchy synth riff.  Maybe a bit repetitive by the end.
  4. Within  - Piano ballad about soul-searching. It’s pretty good.
  5. Instant Crush (featuring Julian Casablancas)  - Casablancas is heavily vocoded. I like everything he has done, from The Strokes up to (and including) this song.
  6. Lose Yourself to Dance (featuring Pharrell Williams) -  Nothing special about this. I don’t like it. Regardless of the word "Dance" in the title, you will not lose yourself to dance, unless maybe you are doing the electric-slide with excessive clapping.
  7. Touch  (featuring Paul Williams) - Starts off creepy, gets creepier with the lyrics. The lyrics are terrible and could easily be plucked from a Disney movie... maybe Beauty and the Beast? Then it picks up with some horns, but overall is it terrible.
  8. Get Lucky (featuring Pharrell Williams) - As of now, this is best song I register on the album. It is the one they were using as a teaser “Get Lucky”. It is quite catchy, and consistently good throughout. I like Pharrells vocals.   
  9. Beyond  - Symphony intro, then a slow-jam. Its alright. At 3:30 some synth work, but overall unimpressive.
  10. Motherboard  - Purely instrumental. A funky bouncy-sound intro, then symphonic sound. Followed by a Philip-Glass-esque bit (which I like). That vibe continues. I like it.  
  11. Fragments of Time (featuring Todd Edwards) - Funky beat to start. Catchy. This could grow on me.
  12. Doin' It Right (featuring Panda Bear)  - They should re-title this track “Doin’ It Wrong”. I was very excited about Panda Bear’s collaboration, and I am quite disappointed in his song. It is so repetitive (and not in a good way), and annoying.  Really disappointed that I hate this. I don’t like the way he just speaks some words with weird inflections. I expected great things in that mash-up! He says in his behind-the-album video, that he came up with his song in a rushed 5 seconds or sumthin, so what do you expect.
  13. Contact  - Starts with some fitting and interesting banter. My take on the banter is: It’s someone (an astronaut?) thinking they are seeing signs of intelligent life, which most likely ended up being the rhythmic flashes of a Pulsar. I really like the sound-byte and would love to know it’s origins and back-story. The banter then kicks off a nice sci-fi-esque (or Clockwork Orange-esque) synthesizer intro, which continues building. It should have ended at the 4:50 timestamp, but drags on with annoying distortion for another ~1.5 minutes!
Here is someone else’s track by track description, which I haven't read, but it may have more useful information than mine.

Mostly what this album does for me is give a little infusion of some new Daft Punk (which I appreciate), and spark my interest to go back and listen to past Daft Punk songs which I absolutely cherish. I doubt there will be many (if any) off the RAM album that make it into heavy rotation for me, or any that I will absolutely need to revisit often.

The Collaborators Series 

Don’t forget to watch The Collaborators series for more information on how this mystical robot rock was created. 

After you watch the Panda Bear one (Episode 5), make sure you see this gem of a parody. haha!

David Bowie - The Next Day




Wow. This is one of THE WORST albums I have ever heard.  I forced myself to persevere through listening to the whole thing (in an effort to give it a chance), and it was painful. I am embarrassed for David Bowie.  I love a lot of Bowie's songs, and he has done one of the most beautiful songs I can think of, Life on Mars, so it makes me sad that he couldn’t just NOT MAKE THIS CRAPPY ALBUM. That is all. 

Foxygen - We Are The 21st Century Ambassadors of Peace & Magic

Foxygen - We Are The 21st Century Ambassadors of Peace & Magic

I think we can all agree... that this band's name is fantastic. So good, in fact, that they don't even have to make good music to make it big. It's the best band name I have heard in a loong time.

But extra bonus: the music is good! A throwback to 60's-style, simplistic, chill, psychedelic rock. And they emulate it very well.

I often find myself grasping to figure out what other bands a new band sounds like (and not being able to put my finger on it), but not this one! I know exactly what it is that they sound like. The lead singer is a young Mick Jagger fronting an exact replica of what a modern day Velvet Underground would sound like.  When the lead singer is not sounding exactly like a young Mick Jagger, he is sounding like a young Lou Reed !   It uncanny. Maybe Lou Reed and Mick Jagger had a son together, and he started this band....?

Their sound is spot on Velvet Underground. It is like the lost tapes of the Velvet Underground. I love it.

Guards - In Guards We Trust

I saw Guards open for Deer Tick and I immediately liked them. They feature an omnichord, which is awesome!  The main dude's sister is in Cults (a really fantastic band).
I have always loved the original Guards (self-titled) album.


The new one In Guards We Trust is growing on me already!



Mac Demarco (current Discography)



While at first listen there may not be anything incredibly novel about the songs that Mac Demarco puts out, I encourage you to give it a listen, and then revisit it again. Then tell me if that jangly reverb guitar sound doesn’t stick in your head.  That jangly off-pitch guitar sound, sounds like they recorded the guitars on vinyl, and then let it get slightly warped, and then used that as a backdrop to sing over.  And once it gets in your head, it just reverbs around in there, and you can’t get it out! The songs are overall simple, but catchy.  



I saw in an interview that he wrote up the entirety of Rock n Roll Night Club as kind of a joke, and then got a record deal out of it. The album is pretty consistent from start to finish, except it is interspersed with some filler radio-banter, which only serves to add to the weird vibe.

I can’t help but draw comparisons to David Bowie when I listen to this album. The title track sounds just like Bowie.  And Baby’s Wearing Blue Jeans is like Bowie’s Blue Jeans, redux.  


2

This album is where that jangly sound will get ya. Definitely has that bizarre can’t-put-my-finger-on-it throwback weirdness possessed by Ariel Pink’s Haunted Graffiti. Definitely some similarities there.

I like a lot of the tracks on this one:
I was going to list the tracks I like here…..but then I realized I like all of them. Listen to it!  And then listen to  it again!

The Heavy - Glorious Dead




Soulful, brassy, good!

This album is pretty damn awesome with a few duds. Overall a great find!

The Lonesome Road has a Tom Waits kind of gritty swagger.

Songs I like:

Grimes - Visions




I love this album. I didn't originally like it. I originally lumped it in with some other stuff, but after a few listens I can see that there is something different here.

For one thing, I like this description: "Her music is an eclectic mix of styles which she described herself as “ADD music”, because it shifts frequently and dramatically." I think that it is fairly accurate. It is very ADD. 

I also like her voice.

I saw Grimes at the 2012 Capitol Hill Block Party but I hadn’t really listened to her album very much ahead of time. Now that I am into this album and it is in regular rotation, I am ready to see her live again and really see how it translates live.

The songs that I really like are :


Local Natives - Hummingbird


I LOVE the previous Local Natives album Gorilla Manor, and the new album Hummingbird seems to be a continuation of the same goodness. I like it.