!! Exoskeletal junction at the railroad delayed !!
Someone on Reddit mentioned that The Mars Volta's debut studio album turns 10 this year! (wow, I dunno where those 10 years went.)
In tribute to a solid album that I absolutely loved for a era of time throughout college (and still love), I thought it was worth mentioning. If you haven't heard it, 10 years late, isn't too late!
It is epic. Give it a listen. And I STRONGLY recommend good headphones (which are not earbuds!), as The Mars Volta took full advantage of stereo-sound to give the album a full spatial feel. It's a rocking rollercoaster ride of an album: Spastic and the essence of pure delirium. It's interesting novelty still stands today.
The Wikipedia Article says it is a concept album, "based on a short story written by lead singer Cedric Bixler-Zavala and sound manipulation artist Jeremy Michael Ward, the album is an hour-long tale of Cerpin Taxt, a man who enters a week-long coma after overdosing on a mixture of morphine and rat poison." The story of Cerpin Taxt alludes to the death of a friend to the lead singer, artist Julio Venegas (1972-1996). Honestly, I can't really understand most of the shit he says in the album anyway, I just know that is sounds fucking awesome.
The storybook that the album is based on is available on the Pirate Bay. Search for "The Mars Volta - Deloused in the Comatorium - Lyric/Story Book".
Some very devoted fan wrote an entire book on his interpretation of the album based on the storybook, with a line-by-line explanation of the lyrics of the album. A free sample chapter of "Cicatriz ESP" is available for free. Here is the website, where you can buy the full interpretation work for $9.99. Quite interesting. I dunno if I drop 10 bucks, but the free sample is very nicely done.
Apparently, Pitchfork gave De-Loused in the Comatorium a score of 4.9 out of ten and said it "just isn't fun." haha. that is absurdly wrong. I find this album to be very "fun".
Side-note: At their Bonnaroo 2009 show, a guy standing right beside us proposed to his girlfriend. She said yes.
I have been going to festivals for a decade now and this was my 2nd Sasquatch Festival, so I thought I would write a blog post...mainly to document the weekend for my own benefit, but you may find it a useful recap if you were there, or a summary of what you may have missed.
While the Gorge is famous for being incredibly picturesque, (and is likely one of the best backdrops for a concert in the world), it is equally famous for not allowing pictures to do it justice. Here is an attempt: ( here are others.)
While the weather at the Gorge can be unpredictable and challenging, it does
consistently tend to yield beautiful scenery. It seems whenever you peel your
eyes away from a stage, a beautiful skyscape awaits you.
Raining across the Gorge.
Stage of gold at the end of the rainbow.
Wow.
Amazing sky from our campsite.
Sasquatch upped their game this year a little on visual appeal (aka: "art"), including this reflecting festival logo, which I absolutely love. Thanks Sasquatch. More along these lines PLEASE!
Our Camp
We had a good crew this year.
We put up some flags and some solar-powered lanterns as beacons to guide us home.
With our powers combined we pulled together a nice campsite.
We made friends with our Montana neighbors.
We took turns preparing a hearty breakfast which was an awesome idea.
I was quite pleased with the aesthetic and functionality of our campsite this year.
Also, keep in mind that all pictures were taken from a real-person point of view. I
don’t have a press pass! If someone wants to buy me a press pass and pay me to
do this professionally it would change my life. Please do.
Although I did record a lot of video on my smartphone, all of the audio is crap, so I will spare you, and only share some of the better YouTube videos. I cherry-picked the better ones. There are many more.
A friend described them as an off-brand Band of Horses. That seemed kind of on-point.
From the few songs I heard they sounded ok, and I'll be looking into them further.
This band is lead by the drummer from one of my favorite bands, Fleet Foxes. Having recently discovered their album Fear Fun, I was very excited
to hear some of the songs which I love
from the album. This show was an interesting one. It was nice to fulfill my need
to see them live, and I enjoyed his quirky goofy stage-presence which consists
of kind of prancing around making sarcastic faces and silly hand-gestures. It
occurred to me during the set that his look is that of Jim Morrison. And I mean
the later, sloppy, Jim Morrison towards the end, but he pulls it off
quite well.
See the resemblance to the late-in-life Mr. Mojo Risin ?
Father John Misty - Nancy
My take on Fear Fun is that it is a good album with some amazingly beautiful songs, some very interesting songs, (and some total crap songs). Apparently most of the album was written and inspired when Tillman went on a mushroom-fueled roadtrip/pilgrimage with no destination, and the end result was an album, a novel, and many revelations which manifest themselves in this interesting album.
It was good set. It was a better setting to see them at night with the right lighting, as opposed to when I saw them during the day Capitol Hill Block Party last year. I appreciate the ability to compare and contrast seeing them live on two consecutive album tours.
Their sophomore
album, Wonderous Bughouse, isn't as serene as The Year of Hibernation, but I
think they are exploring a more artistic surreal territory here, and I think it has some serious potential. Seeing much of it performed live has only reassured me of this potential. This is one of those albums that you have to earn an appreciation for through continued listens, but the payoff is well worth it.
There is something really great about this album, but I cannot really pinpoint what about it meshes so well with my brain. I'm excited to continue listening in an attempt to find out. Trevor Powers describes the album as being "based around the idea of psychological dysphoria, [and he] tried to document the trails of his mind through songs of minimalism and hypnotic ambiance." Maybe I relate to his psychological dysphoria, who knows? More interesting description of the album here.
We hopped over to catch the opening of this set, before a stampeding mob began running us
over. I hafta say, I don’t get the degree of obsession over this band, and I
never have. I have given this band several chances to impress me live, and I am still getting nothing.
We were down on the terraces for the Macklemore and Ryan
Lewis set (which is fantastic viewing area of the Gorge), and it was EPIC! Although Macklemore may be a rapper, he
had the persona of a rock star, and this was a full out rock show. I have listened to The Heist
several times, and appreciate most of it, and love several songs, but following
this show I have a new respect for Macklemore and crew. This
set really was epic, from the moment he rose on a pedestal into the air
from the extended stage platform, to when he rocked the house with “And We Danced”.
I could watch this set over and over.
Macklemore emerging from the stage on a raised pedestal, being a rock god.
My original thought was that this show was going to be lack-luster,
but what I failed to realize was that
this is practically Macklemore’s home turf, and if not for pulling out all the
stops (and sparing no expense) to please the NorthWest, it also provided a rare
chance to bring the full roster of featured performers from The Heist onto the stage. I believe he brought out every featured artist (and there are a lot), except for Allen Stone. I was a bit surprised that Allen Stone didn't join, as he is another up-and-coming Washington artist. Anyway, it was an awesome set!
Festival Regret: I forgot to go check out Indians, who was playing at the same time as Atlas Genius. Bummer. Indians is a band worth checking out! They sound kind of like Youth Lagoon (but the Danish version). Somewhere Else is a solid and beautiful album. Give it a listen.
I was about as far back on the lawn as you can get, and it
was far too loud! I put in earplugs and it was still too loud. I bet the music
would be ok if I could hear it through my bleeding eardrums, but I’ll never
know. Hey Sasquatch-sound-people, music quality is not judged
purely by volume!
I was pumped to see him, having seen many funny YouTube
videos. It was a funny set, but not amazing. He spent too much time making fun
of the audience and not making funny. I like his homeless-person persona better. Watch this one.
Bloc party has been a favorite of mine for a long time, so I
was very glad to finally be able to see them live. They played some of the old favorites which I appreciated.
The lead singer is fairly animated which makes them fun to watch. I wish I would have caught more of their set.
This was likely one of the best shows of the festival. I
have loved Surfer Blood since they released Astro Coast, which is a masterpiece from an
unlikely group of young dudes. I did not expect them to rock so hard,
perform so well, and put on a spot-on show, all while maintaining the stage
presence of a group of introverted wallflowers. It was awesome and the crowd
was way into it. They should change their name to Crowd-Surfer-Blood as it was nonstop
crowd surfing. There was also an unexpectedly active moshing area, and
not-so-unexpected sing-alongs. Such a good damn show.
This set was moved to different stage and the start time was
all mysterious, so I think it went on in competition with Sigur Ros, but I
caught a few songs after the Sigur Ros set, and it sounded good. Wish the
festival didn’t drop the ball on this one, and I could have caught this whole
set.
I know nothing about this band (or DJ?), except that we
wandered into the dance tent for a brief second and enjoyed it. But the dance
tent has a tendency to give off that vibe regardless of what is being played,
with its LED light displays from the future and seizure-inducing
visuals.
This was a beautiful set on many different levels:
musically, visually, aesthetically, and spiritually. I thoroughly enjoyed this
set. Beautiful music from some made-up language, set to interesting visuals including
some nice stage-lighting that distracted the crowd from the signature chilly night-breeze of the
Gorge. Great set.
I had a hunch this show was going to be visually rewarding.
Those who had no context for this band, it must have seemed quite bizarre. I
enjoyed hearing several of my favorite songs from Walking on a Dream, an
obscure album (that I happen to love), from an obscure band which I was excited
to see at the festival. I looked
forward to the absurdity and novelty which I only assumed they possessed live,
and in this regard they did not disappoint.
The show was chock full of
ridiculous costumes, costume-changes, synchronized dancers, and visuals on par
with maybe a more sci-fi/fantasy of Montreal set. Sound quality left a bit to
be desired, but had I not been so tired from a long day of epic rock shows, I
may have worked my way through the late-night crowd of zombies to
get a closer look/listen, but alas it wasn’t to be. It was totally worth seeing and sated my need for an absurd novelty band. Unfortunately I wasn't close enough to get any good pictures.
This band is new to me. To my knowledge I have never heard
them, HOWEVER through some voodoo I
know their hit song “We Come Running,” and maybe unbeknownst to you, you do too! I cannot explain this
phenomenon, I can only assume we are all born knowing this song…? But
regardless it is a great uplifting song and I think this band has potential to
be a fun band. The set was fun and most of what I heard has a certain funness
to it, but only time (and actual listens) will tell if this is more than some
kinda anthemic one-hit-wonder. I did
enjoy gazing across the Gorge while they sang the lyrics “Look across the great
divide, Soon they're gunna hear, The sound, the sound, the sound, When we come
running!”
This was an alright set. I happen to love shoegaze, but this
being the 2nd time I have seen DIIV live, and giving their album Oshin a healthy chance, I still feel they leave
something to be desired. Maybe he doesn’t actually gaze at his shoes enough for
my liking….? I don’t know, I enjoyed the set, but I get the feeling this band
is a bit over-rated.
There were many great artists on this year’s line-up, but
none of them sealed-the-deal for me like Fang
Island being on the list. When I read through festival line-ups, my eyes
sprinting down the list, my heart racing in anticipation, my heart usually
starts pounding around the mid-list area where those awesome
and/or obscure indie bands reside. When I saw Fang Island was gonna be there, I
clicked “Add to Cart!,” “Add to Cart!”.
Fang Island Shredding
They are a fantastic group that seriously
know how to rock and are in my opinion, one the most under-rated bands of all
time, which is unfortunate. Their albums are awesome guitar rock anthems interwoven
with mind-melting solos and epic choruses. If Rock was a religion then the Fang Island discography could be it's hymnal. Their self-titled album is an
absolute masterpiece and rocks my face off every time I listen to it. I love this band.
So for the festival I commissioned Tess to make this awesome shirt to spread the word and support a great band. The story behind this is: the band once described their music
as “Everyone High-Fiving Everyone”,
(which is a spot-on description), and that fantastic mental-image became a popular way to describe the band. And in a microcosm of the internet known as Last.fm, on the Everyone High-Fiving Everyone genre-tag page, a funny
meme evolved that this tag should only be applied to Fang Island. Anyway, I think it is the best
tag to ever be applied to anything, and thus I thought it would make cool
T-shirt. And Fang Island agreed!
My Fang Island T-shirt. Thanks Tess!
Band evangelism.
Showing off my T-shirt homage to Fang Island at the Meet-n-Greet.
I got in just in time to meet the band following there
festival interview and they loved the shirt. I told them they rocked, and after they Instagramed my T-shirt, they were off to prepare for a
fantastic set.
Their set was a nice mix of songs from the Fang Island and
Major albums and totally rocked as expected. I was disappointed at the crowd turn-out
for the show, which only proved to me what I had assumed, which is that they
are far too unknown! There was a
healthy mosh-pit on the other side of the crowd and a lot of high-fiving, but
not nearly to the degree to which it should have been.
Yes, they rock so hard that they can fly.
I highly recommend both of the following epic albums by Fang Island. Do me a personal favor and grace your ears with this awesomeness.
This is one of the bands that I had nothing more than a misconception about, due to their
misleading festival biography picture, and crappy band name. Turns out this guy
is not some dunce kicked out of the
insane clown posse (for not wearing enough make-up), as his bio pic would lead
you to believe, but instead some dude who has a repertoire of seemingly
beautiful songs. And judging by the crowd involvement, several are worthy of a sing-along.
I will definitely be investigating this further, as some of the songs seemed to
be in a similar vein to some music that I enjoy.
This is how Radical Face is represented by his bio picture.
Turns out, you cannot judge a band solely on their bio pic.
Unfortunately the memory of this band blends together with
several other bands which were new to me and were probably also from Sweden. I believe I
enjoyed what I saw. Is it just me, or is the Scandinavian region being overly
prolific with cranking out bands recently? It seems like half the bands I hear
about are from Sweden, etc. I have no problem with that.
I was excited for the Grimes show. I blindly saw her at the
2012 Capitol Hill Block Party, and was intrigued. I then listened to Visions quite a bit, and she has been hyped for a while now, so I was then more excited
to see her again live. This show had everything going for it: a large venue, massive
crowds, darkness, a lot of hype, over the top show extras complete with dancers
and lights, etc. But I was
underwhelmed.
I enjoyed seeing the few songs that I needed to see live (but
was a bit unhappy with how they translated live). Maybe it was just that I was
too far back (due to the absurd crowd), or that I was surrounded by a bunch of
kids (even younger than Grimes herself), who thought just having a glowstick in
their hands makes a show epic. It kind of
tarnished a good album. Anyway, her last song was a new one and a good one and was a dance off.
I like this band… half of the time.
The other half just sounds like the too much of the first half, in a bad way. I cannot deny that this is a very talented
band who have captured a sound and done very well with (and I love a few of
their songs). It’s just that after a certain point I get annoyed with them
being … Mumfordy.
That did not stop me from standing up for some of their more toe-tapping ditties to feel the overwhelming crowd energy. When they flashed on the crowd spotlights it was quite a spectacle to see 20-30 thousand people getting down on the hillside. The energy alone made the show worth it. I like to think that this band brings out the white in white-people. Deep down inside every one of us (white people atleast) lives an innate urge to dance with disregard to the jangly sounds of a banjo, a washboard, and a haybale (or whatever instruments they have in this band). But they did rock that haybale for the night, and so props to them.
Although I am familiar with Primus, and their cult
following, but have never really been a fan of their music. When I saw them
billed as “Primus 3D”, I wrote it off as nothing more than a social commentary
on the hyped-up flop which is the 3D fad, etc, as if they were saying jokingly,
“hey look at us, we are here in reality and are 3-dimensional”. I did however
suspect that Primus would do something visually interesting and/or weird.
It wasn’t until during the show, when looking around I
noticed that everyone did in fact have on 3D glasses. At this
point in the night I was quite tired, and almost wrote-off this whole charade
as the most gimmicky novelty I have encountered at a show. Just then, 3D glasses
appeared out of the ether, and changed my feeble tired little mind. While I
really dis-liked the entire set’s worth
of music, I thoroughly enjoyed this genius utilization of this contemporary novelty. Now unfortunately, there is no way to show you what this was like (I can’t put
3D glasses on my camera!), but I’ll do my best to explain it.
The band was playing, and there were psychedelic visuals emanating from the large LED screen behind Les Claypool and those visuals floated out, meandering into the crowd, seemingly right up to you, as if you could reach out and grab them. It was visually one of the coolest show gimmicks to date.
We got into the venue “early” (around 2:00pm) to catch the
end of this set. I am no expert in the genre, but this is not what I would
really call Rockabilly. It was ok. I may look it up.
Upon recommendation from the great Louis C.K., we made a
point to catch this show. And while all the comedians of this festival did nothing
but bring disgrace and embarrassment
to the comedy tent, Tig Notaro was awesome. She is so naturally funny, with
perfect comedic timing and a brilliant stage presence. A good portion of the
set was improv and involved interacting with the crowd; all very much on-point
and fun. I was very much into this set and I highly recommend seeing her if you
get a chance.
This guy was pretty funny and told stories and anecdotes.
There was an awkward moment when one of the audience members up front passed
out, and Mike stopped the show to get him some water and make sure he was ok.
After the guy was revived and walking out, Mike managed to include a crack
about the guy which was pretty funny. He handled it all surprisingly
seamlessly, so props to him. It was an overall funny set.
This was a rainy set, which we caught the first bit of. I
heard some of the avant-garde harmonies that the Dirty Projectors are famous
for. That was good enough to cover my
need to see them live for pretty much forever, I think.
I was very excited for this throwback, expecting a
sing-along tromp down memory lane. I enjoyed the massive
crowd sing-along, but it wasn't quite as fulfilling as I had hoped. I felt like
being a Cake fan dated me (my favorite Cake album came out in 1998!...15 years
ago. Wow!). They seem a little washed-up, and their songs don’t translate as
well live as I’d like, (this is predictable given their odd timing, etc). It was
very nice to see them live, as I have been debating dropping the cash to see
them for years.
After a little festival ramp-up research, I was excited to
catch a few songs from this set. They are like a modern-day Buffalo Springfield or The Byrds, and I think they pull off this emulation very well. I will
definitely be following this band.
This was the best find in my festival research, and I think
we will all be hearing quite a bit of justified hype surrounding this
interesting project. I think this band has a very interesting sound going for
them, and while I have no idea what the hell they are saying most of the time
(kinda like of Bon Iver), I love the overall sound they got going for
them. It was fun to dance around in a
silly, funky fashion and attempt to sing along, which mostly came out sounding
like baby-talk.
My take on An Awesome Wave. I love this album! There is
something new and refreshing about this band, and I think it is a solid album.
There is a bit of filler that loses replay value upon further listens, but it
is all labeled “Intro” and “Interlude”, etc for your convenience. Although, I
highly recommend you listen to the album straight through the first few times,
as it was meant to be played with these interludes setting the mood, and then
skip them later as needed.
This bizarre band has had my ear for some time now, and I
find myself strangely intrigued by their weird lyrics and the odd cadence of
their music. I would call it avant-garde psychedelic acid-rock, plucked right
out of some weird '70’s disco music scene, but that doesn’t quite capture the
essence as well as this awesome Last.fm tag: “Mutant Alien Porno Soundtrack”,
which I feel is pretty much hits the nail on the head.
After reading that they don’t translate well live, I was worried this could be a let down (even though that advice was from one random person on Reddit). I
whole-heartedly believed it given the complexity of the music, but I decided to swing by and catch what I could. I
was pleasantly surprised to hear that they were far better live than I thought they
would be. I enjoyed hearing some of my favorites before having to dip out (which may have been a huge mistake).
When I saw this The Postal Service billed on the line-up, I
was pretty excited. I mean this is a band that defined an era of indie music
and they are practically mythical, being an essentially non-touring band. 10 years ago they
cranked out an exceptional, novel album, and then disappeared into the ether,
(although they have all been busy since, and Ben Gibbard has been quite prolific).
So I was excited to see what was in-store for Sasquatch,
especially being that Gibbard is a Seattle native. We went all the way down to
the pit area for the show. It was a nice surprise when Jenny Lewis walked out
on the stage. I had forgotten she was the female vocalist on the album and it
was a really cool bonus to see them do the cutesy back-and-forth of “Nothing Better” live for the 10 year anniversary of the album! I am big fan of everything
that Jenny Lewis has done musically, so I think I was more excited to see her
there than anyone else.
While this was a great show, and everything was done very well, it’s not really the kind of music a crowd can really get into. It’s just the nature of the music, so that kind of lessened my impression of the show, but overall it was great to see and I thoroughly enjoyed seeing Give Up performed live, after what would have been 10 years of anticipation, had we all not given up on seeing them live 9 years ago.
They did a fair amount of new songs, which in my standard fashion, I am very skeptical about. Only further listens will either confirm or deny of my skepticism.
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